PERSONS | TITLES | TYPES | KEYWORDS
TITLE | PERSON | TYPE | CREATION DATE | |
700205OV06 |
Endre Koronczi |
installation art |
2000 | |
Abyss |
Csaba Tubák, Éva Tubák Bortnyik |
installation art |
1999 | |
Aspects of Isotropes |
Péter Kiss |
installation art |
1999 | |
Bird- (and Picture-) History |
Dóra Maurer |
installation art, painting, photography |
1998 | |
Black Square on White Walls |
Péter Halász |
installation art, photography |
1998 | |
Clouds |
György Kungl |
installation art |
1993-11-26 - 1993-12-06 | |
Conditions of Discipline |
Imre Nagy |
installation art |
1999 | |
Cryptogram |
Zoltán Szegedy-Maszák |
computer art, interactive art, network art |
1995 - 1996 | |
Dichotomy |
Attila Szűcs |
computer art, installation art, painting |
1995 - 1996 | |
Direction Signs |
Antal Lakner |
installation art |
1993-11-26 - 1993-11-17 | |
Döbling |
Hejettes Szomlyazók |
installation art |
1988 - 2000 | |
Don't Travel - Travel! |
Balázs Kicsiny |
installation art |
1993-11-02 - 1993-11-21 | |
Explanation |
Otto Vincze |
installation art |
1998 | |
Floor Parables 2 - Studies for the Chalk Circle |
Ágnes Eperjesi, Tibor Várnagy |
installation art |
1993-11-30 | |
Flux - Concert |
Gábor Bakos, György Galántai, Zoltán Szegedy-Maszák and others |
concert, installation art, screening |
1973-05-12 - 1993-05-12 | |
From Lifetime |
Beáta Veszely |
installation art |
1995 - 1996 | |
Idiopath / Background Dress |
István Szilasi |
installation art, photography |
2000 | |
In Memoriam Filippo Brunelleschi |
István Orosz |
installation art |
1999 | |
Lisboa III |
installation art, photography |
2000 | ||
Loop |
Peter Frucht |
installation art, interactive art, network art |
2000 | |
Loplop Peep-Show |
Brothers Quay |
installation art |
1997 | |
Monitor Protector 2000 |
Eszter Ágnes Szabó |
installation art, object, video art |
2000 | |
Monstrance Model / Narcissus in the Black Hole |
János Sugár, C3 Center for Culture & Communication Foundation |
installation art, interactive art, network art |
1996 - 1997 | |
My Love Affair with Art: Video and Installation Work |
Steina Vasulka |
presentation |
1996-01-23 | |
Name Written on the Water / Hydrography / |
Gyula Július |
installation art |
1999 - 2000 | |
Nothing Is Like it Used to Be |
János Sugár |
installation art |
2002 | |
Nuzzle Afar – Distant Affairs and Greetings |
Masaki Fujihata |
documentation, installation art, interactive art, network art |
1998 - 1999 | |
Ost-Giebel |
György Jovánovics |
installation art |
1999 | |
Overpopulation |
Róza El-Hassan |
installation art |
2000 | |
Parallax History: View Bi-Oculus |
Takeya Akemi, Alexander Pilis |
installation art |
1999 | |
Passage II. |
Gyula Várnai |
installation art |
1993 | |
Perspective Concert |
János Sugár |
installation art |
1999 | |
Preview |
Rauch Christoph, Attila Ménesi |
installation art, photography, video art |
2000 | |
Rakugaki |
Seiji Hori, Shinji Sasada, Keiko Takahashi |
installation art, interactive art |
2001 | |
Reference Generator |
János Sugár |
computer art, installation art, interactive art |
1996 | |
Scanning |
Joachim Fleischer |
installation art |
2002 | |
Sculptures |
Tamás Waliczky, Heike Staff |
animation, installation art |
1997 | |
Shop within the Shop |
Balázs Beöthy |
installation art |
1993-11-01 - 1993-11-05 | |
Standstill |
Szabolcs KissPál |
installation art |
1999 | |
Synthetic Drops |
Antal Lux |
installation art |
2006 | |
System Maintenance |
Perry Hoberman |
documentation, installation art, interactive art |
1998 | |
Table Society |
Gyula Várnai |
installation art |
1999 | |
Thalli 1-2 |
Gábor Győrfi |
computer graphics, installation art, object |
2000 | |
That Crowns All ... |
László Hegedüs 2 |
installation art, public art |
1993-11-19 - 1993-12-04 | |
The Big Conference Table |
Éva Sebők |
installation art, public art |
1993-11-13 - 1993-11-30 | |
The Brick |
Imre Bukta |
installation art, performance art |
1993-11-02 - 1993-11-07 | |
The Sonnets |
Wojciech Bruszewski |
computer art, installation art |
1992 | |
The Way |
Tamás Waliczky, Manfred Hauffen |
animation, installation art |
1994 | |
The World Generator: The Engine of Desire |
Gideon May, Bill Seaman |
computer art, installation art, interactive art, network art |
1997 - 1999 | |
The “B” event |
Pál Szacsva y |
installation art |
1998 | |
Torso - Invalid Sculpture |
Gyula Pauer |
installation art, sculpture |
1987 | |
Transferpoint |
Jenő Lévay |
installation art |
2000 | |
Transitional Spaces |
George Legrady |
installation art, interactive art |
1999 | |
Trigonometric Guitar |
Róbert Langh |
computer art, installation art, interactive art |
1999 | |
Vacuumscope |
Vákuum TV |
installation art, interactive art, television art |
2000 | |
X = X + 1 |
Eike |
computer art, documentation, installation art, video art |
1999 | |
X-Ray Sound Record |
József Hajdú |
installation art, photography |
1998 | |
“Flight Machine” Part 2: Flight of a Bumble-Bee |
Barba Rosa |
installation art, interactive art |
2000 |
0-9 16th century | 17th century | 18th century | 2D | 3D | 4D
A abstract art | access | accident | action | action art | adolescence | advertising | aesthetics | agression | alienation | analogue | animal | animation | anthropology | appropriation | archaeology | architecture | archive | art education | art history | art system | artificial | artificial intelligence | artistic collaboration | artistic research | audio | audiovisual | augmented reality | autobiography | automatic | avant-garde
B biography | biology | body | body art | borders | broadcasting | browser
C chaos | child | choreography | cinema | city | clip | close-up views | closed-circuit | cognition | coincidence | collage | collecting | colour | communication | communism | community | computer art | computer game | concept art | conceptual art | conflict | constructivism | consumerism | control | corporal | cultural heritage | cultural studies | cyberculture | cybernetics | cyberspace | cyborg
D dance | dark | data processing | death | deconstruction | democracy | design | desire | dialogue | dictatorship | digital | digital community | digital culture | digitising | direct animation | disease | distortion | distribution | do-it-yourself | documentary | dramaturgy | drawing | dreams
E earth | east / west | education | electronic | electronic music | energy | environment | eroticism | ethics | ethnography | every day issues | exhibition | exoticism | experiment | experimental film | expression
F fairy tales | family | fantasy | fear | female | fiction | film history | fire | fluxus | folklore | food | found footage | fractals | freedom | futurism
G game | gender | generative art | geometry | geopolitics | gesture | graphic
H hacking | hardware | health | history | history of technology | holography | home | human-machine interaction | humour | hypertext
I icon | identity | image | image recognition | improvisation | individual | information | information retrieval | information society | inspiration | installation | intelligent systems | interactive | interactive cinema | interdisciplinary | interface | internet art | interpretation | interview | intimacy | irony | IT
K kinetic art | knowledge
L land art | landscape | language | law | life | lifestyle | light | light art | linguistics | literacy | literature | loop | love
M machine | mail art | male | mass communication | mass media | mathematics | MC | meaning | media archaeology | media art | meditation | memory | meta commentary | metaphor | metropolis | middle ages | military | minorities | mixed media | modeling | modernism | monologue | montage | movement | moving image | multi-channel | multimedia | museum | music | mysticism | mythology
N nanotechnology | narration | narrative | nationalism | nature | net.art | neurobiology | noise | nomadism
O object | online world | opera | optics | orientalism | other, the
P pain | painting | past / future | perception | performance | performing art | personal history | perspective | philosophy | photography | physics | pleasure | poetry | politics | portrait | postmodernism | preservation | print | privacy | process | programming | propaganda | psychology | public / private | public art | public space
R racism | radio | real-time | reality | reconstruction | recording | relationship | religion | remix | renaissance | reproduction | research | resistance movement | revolution | rhythm | robotics | rotation | rural
S sampling | science | science fiction | sculpture | search engines | semiotics | sensors | sexuality | simulation | single-channel | site-specific | skin | slow motion | sociology | software | sound | sound art | sound installation | sound sculpture | sound-image interaction | space | special effects | spectatorship | speech | speed | sport | still image | stop-motion | storytelling | street art | structuralism | subjectivity | surveillance | symbol
T technique | technocracy | telecommunication | telephone | television | television art | text | theology | theory | time | touch | trade | tradition | transformation | typography
V version | video | video art | video installation | viewer | viewpoint | violence | virtual reality | virus | vision | visualisation | voice | voyeurism
W war | water | web design | webcasting | work | world wide web | writing
Y youth